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In the end, though, nothing really feels like it adds up to very much.

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There are moments of palpable tension too, as well as some memorable performances - most notably Mark Rylance as the captain of one of the countless small English vessels that sailed out to rescue the trapped allied soldiers, and Kenneth Branagh as the British Colonel desperately trying to manage the rescue attempt.Įven ex One Directioner Harry Styles manages to be anonymously average rather than shockingly bad, which is a pleasant change from your typical car crash pop star movie cameo. It looks consistently magnificent, and while I might have issues with the film’s overall structure, the editing of its various individual scenes is beautifully done. This being a Christopher Nolan film, though, there are upsides. In the end the main thing I took away from Dunkirk the film was a feeling that I hadn’t really got a sense of Dunkirk the event at all. Except that the film’s structure and the way Hans Zimmer’s over-bearing score is so consistently used to bind the film’s disparate parts together doesn’t really make it easy to identify with or care about many of the characters. It's a great upgrade, but that's partly due to the fact that the earlier Blu-ray was just so problematic and, whilst it erases most of those problems, the end result is still not demo territory.I guess you could argue this approach personalizes what might otherwise just be an emotionless spectacle.

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Skin colours are still a smidge off, slightly pinker than necessary, but nothing like the bronzed Inception look, and overall WCG implementation is far more subtle than the HDR, the latter of which really makes a difference to the shadow detail. Black levels are impressive - it's a very dark picture, but intentionally so - and remain strong and rich throughout, even if they're of that lighter variety that Nolan/Pfister favour rather than the inky abyssal blacks that some fans would ideally have preferred. Overall though, it's a balanced image with far fewer flaws and thus should be celebrated as not only an improvement, but as an engaging way to enjoy this fantastic film.Ī great upgrade, but the end result is still not demoĭetail is sporadically spectacular, generally very good, and fleetingly disappointing, affording the close ups with a loving observation of skin textures, pores and hair, whilst mid range shots bring the Blade Runner-inspired scenery to life with rich detail, as the HDR implementation works overtime to bring more shadow detail to the fore than ever before. Inception), and more-so in some sequences than others. What it can't do, unfortunately, is change the original source cinematography, with the 35mm footage appearing very filmlike but also slightly soft around the edges (c.f. What is clear from this new native 4K scan is that it largely sorts out the multitude of flaws associated with the now decade-old standard Blu-ray release, cleaning up the image, balancing the contrast and removing any signs of black crush or banding.

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All of the Nolan releases have been delivered under the supervision of the director himself, overseeing the 4K scans and colour timing, and the results are quite varied, with the latest films, Interstellar and Dunkirk looking the best, the increasing amount of IMAX footage used across his films standing out as superior to anything else, and some of his earlier 35mm only features, lensed by Award-Winning cinematographer Wally Pfister, struggling somewhat to compete with the later fare.Ĭertainly it's hard to dispute the fact that the films have all been given an upgrade here, and in particular on the Dark Knight Trilogy, where there have been distinct problems with previous iterations, but those expecting the first entry - Batman Begins - to stand out may end up being somewhat disappointing. Shot on 35mm film, and framed in the original theatrical aspect ratio of 2.40:1 widescreen, Batman Begins is not only part of the recent spate of Nolan films released on Ultra HD Blu-ray, but part of its own Dark Knight Trilogy.

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The UHD Blu-ray was reviewed on a Samsung UE55KS8000 Ultra HD TV and a Samsung UBD-K8500 Ultra HD Blu-ray player.

Batman Begins kick-starts the Dark Knight Trilogy on 4K Ultra HD Blu-ray with a flawed but still largely satisfying HEVC / H.265 encoded 2160p transfer.